A Navajo Wool Weaving in the mannerA Navajo Wool Weaving in the manner of the Two Grey Hills pattern having repeating bands of geometric decoration in tones of black grey brown and white. 5 feet 6 1/2 inches x 3 feet 3 inches.
H PATTERN QUILTH pattern quilt.H PATTERN QUILTH pattern quilt. 30 H squares, floral border. 67 1/2" x 80 1/2". Staining and discoloration throughout, large tear on one end.
(3) 1960's patterned garments to(3) 1960's patterned garments to include Ruth Norman for Gay Gibson floral poly minidress, Paganne by Gene Berk placement patterned long sleeve maxi dress, some spot stains, 6, and Hanae Mori Tokyo Lord & Taylor Tea House silk floral skirt and vest, spot stains, damage, some holes.
HALF STAR PATTERN QUILTHalf starHALF STAR PATTERN QUILTHalf star pattern quilt. 90 alternating squares of green and half stars, prairie point edges. 86" x 75". Some fraying along edges, light staining, small tear to one green square, some staining visible on reverse.
Quilt, Hovering Hawks pattern,Quilt, Hovering Hawks pattern, circa 1920, 80"w x 80"l
GROUP OF EARLY PENNSYLVANIA WEAVERSGROUP OF EARLY PENNSYLVANIA WEAVERS PATTERN BOOKSGroup of early Pennsylvania weavers pattern books , the earliest dated 1767 , by Johann Michael Fridinger, one inscribed William Edwards 1819 , and seven others. Provenance: Edwards - Jim Kappler; Smith - Ellwood Miller sale at Conestoga 2004; JK - Barry Scaringi; Bower - Vernon Gunnion.
Condition:
Losses typical with age. Fragile.
Fine Two Grey Hills Weaving WhirlingFine Two Grey Hills Weaving Whirling log motif & storm pattern on gray field. Minor repair work & wear otherwise excellent. 4' 7'' x 7' 6''E
A pale tweed fleck sleeveless dressA pale tweed fleck sleeveless dress with matching jacket and skirt, a herringbone tweed sleeveless dress, jacket and pattern blouse outfit with a cloche hat, all by John Bowen of Malmesbury and another tweed skirt suit
AFTER HARRY H. HAWORTH: NAVAJOAFTER HARRY H. HAWORTH: NAVAJO MOTHER AND CHILDAfter Harry H. Haworth: Navajo Mother and Child, photographic print; 1936 Dimensions: 14 x 11 in. (35.6 x 27.9 cm.), Frame: 16 1/2 x 13 1/2 in. (41.9 x 34.3 cm.) Provenance: Private Collection, formerly in the collection of Colorado Historical Society Condition:
A Haddonstone octagonal font mouldedA Haddonstone octagonal font moulded with quatrefoils on page 4
FINE PA MENNONITE COMMUNITY IRISHFINE PA MENNONITE COMMUNITY IRISH CHAIN PATTERNquilt ca. 1870-1900; assembled piecework of calico print cotton fabrics with green and red sawtooth border, around quilt top of green, red umber and yellow patchwork blocks arranged in chain link design with red/pink calico gems, back in brown and red tone plaid woven fabric that serves as binding, fine hand stitch quilting, 92"x 91"; Condition: good
Navajo Two Grey Hills Pattern WeavingNavajo Two Grey Hills Pattern Weaving / Rug
second quarter 20th century
hand-spun wool woven using natural colors; central elongated diamond and four, stepped triangular anchor points
91 x 44 inches
A COLLECTION OF SEVEN H & R DANIELA COLLECTION OF SEVEN H & R DANIEL SHREWSBURY SHAPE SLOP BOWLS including bowls in pattern 4343, pattern 4757, pattern 4592, pattern 4237, pattern 4691, pattern D171 and another similar, possibly pattern D132, all with white grounds variously decorated with flowers and gilt banding, the tallest 8.5cm high Provenance: The Beardmore Collection, nos. 269, 2043, 310, 2277, 1796, 197 and 1578.
Hawthorne's Works, 22 Volumes HoughtonHawthorne's Works, 22 Volumes Houghton Mifflin, New York, 1900, three-quarter red morocco leather with gilt spine decoration, top edge gilt, marbled panels, 7-7/8 x 5-1/4 in.,
Navajo Two Grey Hills Pattern WeavingNavajo Two Grey Hills Pattern Weaving / Rug
second quarter 20th century
hand-spun wool, having a flat weave and woven using natural colors of dark brown, cream, and gold; designed with a large central diamond with hooked elements and crenelated border
84-1/2 x 52-1/2 inches
Hamadan Carpet Hexagon medallionHamadan Carpet Hexagon medallion in center Herati pattern on a red field with dark blue corners.
Navajo Storm Pattern Variant WeavingNavajo Storm Pattern Variant Weaving woven with hand-spun wool using colors of cream brown gray and aniline red; storm pattern made with Valero?stars 80.5 x 48 in.first quarter 20th century Condition: Weaving backed with cotton sheet - affixed only at one edge.
Navajo Germantown Third Phase PatternNavajo Germantown Third Phase Pattern Weaving / Rug
circa 1900
finely woven using colors of red, navy, brown, and cream; thin bands combined with serrated triangles create an eye-dazzling effect
80 x 59 inches
A Navajo Weaving Two Grey HillsA Navajo Weaving Two Grey Hills geometric design woven on a grey ground the design is made with two shades of brown light grey black and white border design is white weaver James Sherman. 31 x 53 inches.
A Hamadan carpet woven in coloursA Hamadan carpet woven in colours with endless ''Herati'' repeat pattern on a dark blue ground within conforming borders 9ft x 6ft 9ins
AN ANTIQUE 'HARVEST SUN' PATTERNAN ANTIQUE 'HARVEST SUN' PATTERN QUILTTwenty fancy eight-point blocks, calico prints with red centers and red tips on the stars on muslin background, hand-pieced and quilted, red binding, muslin backing.Measures 90 x 70 inches.Very good condition, noting toning and light stains.
A 19th C . needlework sample, workA 19th C . needlework sample, work of Hallowell Aug 20th 18??, with verse, alphabet and a floral border. Image 16” x 16” Overall 24” x 24” Condition: holes, stains CT Transfer Fee $10
Navajo Transitional Chief's PatternNavajo Transitional Chief's Pattern Weaving / Rug
early 20th century
hand-spun wool woven in colors of red, cream, and dark brown; two stepped diamonds on a banded ground
40-1/2 x 62 inches
A Navajo Weaving Two Grey HillsA Navajo Weaving Two Grey Hills two shades of grey brown black and white in a geometric design throughout weaver Daisy Tauglechee. 14 1/2 x 19 inches.
A Navajo Weaving Storm PatternA Navajo Weaving Storm Pattern (Two in One Storm) in black white and grey natural wool the red is analine dyed weaver unknown. 34 x 57 inches.
Two panels of Morris & Co fabricTwo panels of Morris & Co fabric 'Vine and Pomegranate' pattern possibly designed by Kate Faulkner woven by Heckmondwike Manufacturing Company the two panels 273cm x 165cm (107.5" x 65") and 208cm x 167cm (81.75" x 65.75") each made up of a number of smaller panels
FOUR ABSTRACT PRINTS: APPEL, HAWORTH,FOUR ABSTRACT PRINTS: APPEL, HAWORTH, A FIGURAL(2) Karel Appel (1921-2006 Dutch) on paper mounted to panel both signed LR; one dated 60, edition numbered 48/200, the second 152/200 (illegible). Mariam Haworth (Canadian), on paper, figural titled "Spectators" LL, signed and dated LR ('58), E 30, all in pencil, and signed "Haworth" as part of plate LR. Abstract figural paper on panel, illegible signature,dated (60) LR, edition numbered (32/270)and titled LL, in pencil.
(QMOST2966/4)(JP)
Dimensions: K.A. sight 15"H x 19.25 framed 21.75 x 26.25 and 17.5 x 21.75 framed 25 3/8 x 28 5/8. sight 12.75 x 16.75 framed 19 x 23 largest sight 26.75 x 20.75 framed 35 x 29
Condition:
All four no glazing. Very toned paper; vertical scrape UL K.A. Severely acidified linen liner on Haworth, scuffed frame; hole in paper LL margin on the fourth
WILLIAM MORRIS (1834-1896)
TWOWILLIAM MORRIS (1834-1896)
TWO BOLTS OF FABRIC, LATE 20TH CENTURY COMPTON pattern printed cotton, 1095cm x 136cm; and MARIGOLD, blue colourway, printed on linen, printed to selvedge "MARIGOLD"/ DESIGNED BY WILLIAM MORRIS/ AN ORIGINAL SCREENPRINT BY SANDERSON, 3655cm x 126cm(2)Provenance: From the collection of Arthur Halcrow VerstageNote: Arthur Halcrow Verstage (1875-1969) was an architect who spent much of his career in the public sector. He was a student at the Royal Academy School of Architecture in the 1900s and was elected as an Associate of the Royal Institute of British Architects in 1902. By 1903 he was a student and assistant at the Central School of Arts and Crafts (later known as the Central School of Art and Design) in London where William Lethaby was principal and a great influence on him. He then oversaw the design of the new school in Southampton Row from 1905-8. From here he became an architect for London County Council and was involved with many London societies, and as a founding member of the Kelmscott Fellowship, a forerunner to The William Morris Society. His large and varied collection was a reflection of his wide interest in the arts. His archive was purchased by The William Morris Society in 2005.Literature: Parry, Linda William Morris Textiles, V&A 2013, p.258, no.95, and p.207, no.10
MENNONITE COMMUNITY "AROUND THEMENNONITE COMMUNITY "AROUND THE WORLD" PATTERN PATca. 1900-1940; vibrant mix of calico fabric square patchwork blocks assembled in revolving repeating lines of matched fabric blocks around a central nine patch block of red, yellow and green, red calico print back and border with interior sawtooth band of yellow and red with interior green border, fine hand stitch quilted back in "Bars" pattern of yellow and red calico print fabrics, 78"x 75"; Condition: good
Navajo Transitional Weaving hand-spunNavajo Transitional Weaving hand-spun wool with bold lines executed in red and black against a cream ground; squash blossoms situated within design 56 x 94 in.early 20th centruy Condition: Light soiling broken edge cord wear edge pull with attempted?repair.
MODERN CHECK PATTERN UPHOLSTEREDMODERN CHECK PATTERN UPHOLSTERED WING CHAIRMODERN CHECK PATTERN UPHOLSTERED WING CHAIR , the straight slanted back with slight straight wings over the arms above a cushioned seat on squared tapered legs, ochre, sand and rose checked upholstery - h:42w:28d:28in. Provenance: Eastern Shore Historic Estate
A Navajo Two Grey Hills Wool WeavingA Navajo Two Grey Hills Wool Weaving having geometric decoration in tones of black grey brown and white. 5 feet 1 inch x 3 feet 4 inches.
A Worcester Lord Henry Thynne patternA Worcester Lord Henry Thynne pattern kidney-shaped dish, 26.5cm and a Dalhousie pattern plate, 21cm wide (restored)
WILLIAM MORRIS (1834-1896) FORWILLIAM MORRIS (1834-1896) FOR MORRIS & CO.
GROUP OF ORIGINAL TEXTILES, CIRCA 1880 comprising a 'HONEYSUCKLE' PATTERN PANEL, designed 1876, printed linen,135cm x 94cm including selvedge; a 'BIRD & ANEMONE' PATTERN PANEL, registered 1882, blue colourway, printed cotton, 79cm x 94cm; TWO FURTHER PANELS OF 'BIRD & ANEMONE' PATTERN PRINTED COTTON, lined and hemmed, one with hanging rings, 67cm x 86cm and 170cm x 82cm; a 'STRAWBERRY THIEF' PATTERN PANEL, registered 1883, printed cotton, 73cm x 87cm; THREE ‘MEDWAY’ PATTERN PANELS, registered 1885, printed cotton, 135cm x 46cm, 105cm x 94cm and 134cm x 47cm; TWO PANELS OF ‘TULIP AND WILLOW’ PATTERN, registered 1873, printed linen, 143cm x 90cm and 142cm x 90cm; together with a Liberty and co panel with some embroidery 88cm x 90cm, LIBERTY AND CO. NEEDLEWORK TEMPLATE, with partial needlework, printed to selvedge, LIBERTY AND CO REGENT STREET LONDON/ W REGISTERED, 88cm x 90cm(11)Provenance: From the collection of Arthur Halcrow VerstageNote: Arthur Halcrow Verstage (1875-1969) was an architect who spent much of his career in the public sector. He was a student at the Royal Academy School of Architecture in the 1900s and was elected as an Associate of the Royal Institute of British Architects in 1902. By 1903 he was a student and assistant at the Central School of Arts and Crafts (later known as the Central School of Art and Design) in London where William Lethaby was principal and a great influence on him. He then oversaw the design of the new school in Southampton Row from 1905-8. From here he became an architect for London County Council and was involved with many London societies, and as a founding member of the Kelmscott Fellowship, a forerunner to The William Morris Society. His large and varied collection was a reflection of his wide interest in the arts. His archive was purchased by The William Morris Society in 2005.Literature: Parry, Linda William Morris Textiles, V&A 2013, p.217, no. 27; p. 226, no. 44; p. 233, no. 52; p. 246, no. 65; p. 207, no. 8
Holly Harp grey voided velvet dressHolly Harp grey voided velvet dress Slate grey silk chiffon with flocked dot pattern, shaded by darker metallic threads, with short sleeves and a rounded neckline, falling in a sheath to the calf, scalloped hem. Fully lined, labeled "Holly Harp," size small.
H. STARK, SCHOOLGIRL'S NEEDLEWORKH. STARK, SCHOOLGIRL'S NEEDLEWORK SAMPLERwrought by Harriet C. Stark when 11 years of age. MA Hough Inst. Framed, not examined out of frame. Frame size: 20 1/2" high, 23" wide.
Condition:
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